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M | E | A | T | A | L | T | E | R | N | A | T | I | V | E |
I | S | T | H | I | S | S | E | A | T | T | A | K | E | N |
T | H | E | Y | S | A | Y | G | E | E | Z | E | R | S |
I love seeing innovative themeless grid patterns. This one not only has striking visual appeal — sort of an hourglass with vampire teeth — but those strategic black squares in the middle make this layout much easier to fill than many traditional themeless layouts. Note that the "racetrack" is only four or even three squares wide most everywhere, simplifying the task.
Themelesses like this focus heavily on the limited number of long entries, and Benji did a great job creating vivid imagery. What kind of cowardly themeless constructor DIALS IT BACK and still hopes for an acceptance, right? Check out the stories of the top and bottom stacks:
Given that the "racetrack" is only four squares wide most everywhere, I'd have liked fewer dabs of INI HTS SYR. CETE is an oddball, too, though I'm sure zoologists would disagree. Although the racetrack is narrow, it still has to mesh into itself in the end, which can be surprisingly challenging, requiring many more iterations that one might think.
It's tough to make your NYT debut with a themeless, because the competition is much more fierce than for any other day of the week. Kudos to Benji for coming up with something eye-catching and evocative.