Music accidentals have been played upon (sorry) many times, but as with all well-trodden paths, there's usually room for some extra ...
read moreMusic accidentals have been played upon (sorry) many times, but as with all well-trodden paths, there's usually room for some extra layer to make a new puzzle shine. Freddie's use of ON THAT NOTE is perfectly pitched.
I should leave on a high note now.
Such a vivid themer choice in FLAT EARTHER, much more evocative than so many other phrases like flat tire, flat tax, flat panel, all of which fall flat.
I'll show myself the door. Naturally.
I wasn't as excited by SHARP COOKIE, having filled in SMART COOKIE without a second thought. It is a fine phrase, but I'd have preferred SHARP CHEDDAR paired with FLAT EARTHERS.
Delightful wordplay clue for FLAT EARTHER, too, playing on "not on the ball." (Earth being the ball.) It's so rare to be treated to accessible wordplay like this on a Monday.
And another example, with ROMAN! This one might have gone over newer solvers' heads, which would be a shame — "I, for one" cheekily means that "I" is the ROMAN numeral for one.
Freddie brings up a good point about MARIE KONDO making the right half of the puzzle tough. I did slow down through the KONDO / MONT / BANTU crossings and wondered if they might give newer solvers difficulties. I'm not in MARIE KONDO's target demographics by a long shot, but my wife passionately believes in Kondoizing (much to the chagrin of our pack-rat kids). Seems reasonable to expect New York Times solvers to at least heard of either her or the BANTU people/languages.
Cutting off the SW and NE corners from the rest of the grid wasn't ideal, and I didn't care for how the Z was worked in because UZIS accentuated ARMED. Overall, though, I loved the perfect finale of ON THAT NOTE, helping elevate this one from all the other music accidental puzzles out there.