This kind of themeless typically locks all the long answers together, creating severe inflexibility. David did something brilliant: ...
read moreThis kind of themeless typically locks all the long answers together, creating severe inflexibility. David did something brilliant: the black squares between MASCARA / OFFSETS and SEVILLE / NAPSTER make all the difference in the world, allowing much more flexibility in filling the sides of the puzzle.
Themelesses featuring a slew of long entries live and die with those long entries. All six of David's are dynamite, and the fact that they're all ripe for clever cluing elevates them even further. I can't decide whether I enjoyed WHATCHAMACALLIT more or the head-scratching [Word when you can't find the word]. (Mine usually is "consarnit.")
I fell in love with [Dated TV star?] for THE BACHELORETTE. Consarnit, I imagine there were some SLEEPLESS NIGHTS coming up with such a devious clue! Probably some on THE BACHELORETTE, too, but for different reasons …
I was also impressed by the cluing for the short entries, helping them pop. [Places with multiple outlets] so innocently drew me to electrical outlets, so I put in WALLS instead of MALLS. I'd already been stymied by WHATCHAMACALLIT words, and [Words to remember, for short] continued to confound. That's VOCAB lists to remember!
Any themeless of this audacious style will require a bit of Elmer's to hold the long stuff together. AGS is awkward, LAH a partial, and NEC isn't as huge here as in Japan. All minor, thankfully. The only one that held me up was KORS, last used in the NYT way back in 1972, as [Hebrew measures]. Thankfully Michael KORS came along!
Sizzling long entries and snappy cluing in an innovative design? I would never have guessed that this was someone's second puzzle.