A couple of years ago, a crossword-solving friend of mine who's a "10x engineer" at Google innocently mused that most of crossword-making should be automatable.
"Ah, young padawan," I said in a terrible Yoda accent. "But a theme how about? A novel idea, AI cannot generate, hmm?"
"It can't be that hard," he said. "How about ... KING KONG, PING PONG, DING DONG …" He cleared his throat. "MING MONG? Is TING TONG a thing?"
"SING SONG," I added. "But would you have fun solving such a simple rhyming puzzle?"
Andrew paused. "Maybe it is that hard."
I had one of those Andrew moments today, scoffing. This is easy! How about ... HEIGHT FRIGHT? (Acrophobia?) SPRITE MIGHT? Elves are powerful, after all. DWIGHT BLIGHT, that's so apt for "The Office"!
Okay, maybe it is that hard.
Although rhyming themes mostly don't pass editorial muster these days, this one is fantastically tight (no other possible phrases that work). It's also interesting that Daniel and class found four solid phrases all composed of words from a rhyming set. Not an easy task.
The gridwork is unusual for a Monday. Few constructors would leave such big corners wide-open in the upper-left and lower-right — most would break up long entries like IM NOT HERE and TASTE TEST. This makes more sense when you consider Daniel's heavily themeless-based experience. If you can fill big corners, it can lead to more interesting results.
I favor a more traditional layout of black squares, though. Grid flow isn't great in today's NW and SE corners, and dabs of OLIVA, BREE, DAT, ERG, ESS in a Monday puzzle can be off-putting to newer solvers. Redistributing the black squares — fewer in the center, more toward the perimeter — would result in a smoother product.
There is something to be said about a different approach, though, especially when it enables such goodies like MARDI GRAS, TASTE TEST, BUBBLE TEA. And most importantly, it's wonderful to see Daniel take it upon himself to help shepherd along a new generation of crossword makers.