Neat idea, to have WORK and LIFE balanced … on sets of black squares that look like balances! Along with WORK LIFE BALANCE (conveniently 15 letters long; a constructor's dream), plus WEIGHS and SCALES, it made for a pretty picture.
Jeremy is so good with his gridwork. One of his sticks in my mind as a favorite Sunday, partially because it required such incredible craftsmanship in incredibly jam-packed regions. Similar requirement in today's puzzle, what with so many down answers needing to work with each other on both sides of the scales.
Take the left side, for example. Not only do PIECE OF WORK, SAFE FOR WORK, REWORK, and NETWORK have to work (pun intended) together through TOO REAL and FRET, but PIECE OF WORK and SAFE FOR WORK have to coordinate all the way up to the top. So many constraints to work around.
The result is nice and smooth, although I did hitch on TOO REAL, wondering if it needs to be (ALL) TOO REAL. And I've seen NSFW plenty, but never SFW. In the end, both did seem passable, though.
Interesting long fill elsewhere in the grid, too. I particularly enjoyed MAGIC LAMPS, PHOTO OP, and BBC NEWS, especially what with that crazy-looking BBCN* four-consonant start.
VEGAN PIZZA … I wondered about that. It is a real thing, but I worry that it opens the door for the arbitrary VEGAN BURGER, VEGAN SANDWICH, VEGAN POT PIE, etc. And AS YOU DO sounded out of tune to my ear. (Maybe because I'm not a Brit.)
It did feel repetitive to have WORK and LIFE and then WORK LIFE BALANCE. Plus, the .puz file was coded with rebus squares of (WORK)(WORK)(WORK)(WORK) and (LIFE)(LIFE)(LIFE)(LIFE), whereas I really wanted them to just be W O R K and L I F E. The grid and answers (below) are adjusted to the non-rebus approach, which I think is more elegant.
Interesting visual concept, along with some great execution, given the dauntingly dense theme-packing.